In the wake of her husband’s death, Nora Joyce once remarked, “What’s all this talk about Ulysses? Finnegans Wake is the important book.” Eight decades later, even within the sphere of Joyceans it seems Finnegans Wake doesn’t often receive its due recognition. A recent example, on the back of the beautiful brand new fully annotated edition of Ulysses from Alma Books we find the following description of Joyce’s writing:
“...most famously Ulysses, Dubliners, and A Portrait of the Artist as a Young Man.” They completely omitted Finnegans Wake!
When Joyce was finishing up with Finnegans Wake, he worried to a friend, “Perhaps it will end in failure, be a wreck or ‘catastrophe’ ...and perhaps in the years to come this work of mine will remain solitary and abandoned, like a temple without believers." (Portraits of the Artist in Exile, p. 160-161) In the spirit of the Wake, a book full of lists and catalogs, I have gathered this somewhat scattershot survey of notable Wake lovers. This is intended to be a celebratory assemblage, a panegyric of the tribe of Wakeans or FINNEGANS WOKE. The emergent pattern suggests an undercurrent of Anna Livia’s branching streams has been undulating in the unconscious of our art and culture for decades, perhaps a fitting fate for Finnegans Wake after all.
[Please note: This is certainly not intended as an exhaustive list of Wake heads, just a representative segment of notable Wakeans and their expressed fondness for Joyce’s final book. Please feel free to add onto the list in the comments section!]